An infant—traumatized, possibly injured and abandoned—was one of many victims when Japanese bombers blasted Shanghai South train station to smithereens in August 1937. “Bloody Saturday.”
We know the photographer: H. S. Wong (a.k.a Wong Hai-Sheng, Wang Xiaoting and by his nickname “Newsreel”). The baby’s identity, and fate, is clouded by various competing narratives. Continue reading